I’ve lived in my corner of south London, Streatham Hill to be exact, for 10 years now and one of the pleasing architectural aspects of this typical late Victorian red-brick residential development is St Thomas's Church on Telford Avenue. It isn’t too ostentatious in the new Edwardian style, but certainly gives a satisfying full stop when your eye scans the terraced bricks and mortar around you.
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St Thomas Church, Telford Avenue (Ellen Leslie 2016) |
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St Thomas Church, Telford Avenue (Ellen Leslie 2016) |
St Thomas’s was completed in 1901 and opened by the Lord Mayor of London. The aisles and
baptistry added in 1905 and the chancel in 1926-27. The church has recently
undergone a huge refurbishment, escaping the fate of being redeveloped
into flats, and now continues to be have weekly services. With the refurbished exterior it certainly has a brighter and more optimistic
appearance these days with the addition of community space and the outside area being landscaped. In all the years
I’ve lived here though, what I hadn’t appreciated was the provenance of its
architects. Taking a close look at the foundation stone it shows the
architects were Sidney R J Smith (1858-1913) and church architect Spencer W
Grant (1879-1914).
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Sidney R J Smith |
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Foundation Stone (Ellen Leslie 2016) |
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Tate Britain (tate.org.uk) |
Smith is most well-known for his long association with Henry
Tate, the sugar magnate. Tate (1819-1899) lived close to Streatham Common at
the imposing Park Hill. With Tate financing the project, Smith designed the 'National Gallery of British Art' at
Millbank (now Tate Britain) on the north side of the Thames in 1897. But before that, through Tate’s
own philanthropy and his chairmanship of the Lambeth library commissioners,
Smith also designed the Tate Free Library in 1887 (now the South Lambeth Library), the Durning Library
in Kennington in 1889 (funded by Jemima Durning), the Streatham Library in 1890 and Brixton Oval Library
in 1893.
The church in Telford Avenue
is in the emerging Edwardian design displaying cleaner lines, which is closer to the young Grant’s
style, but both men are credited with its design. One more construction by Smith though does bear a resemblance to St Thomas's, namely Henry Tate's own mausoleum in West Norward cemetery completed in 1899. It is also likely that at this
later stage of Smith’s career it was his professional standing in Lambeth
that made his involvement in the church’s design and construction more
significant.
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Tate Mausoleum (geograph.org.uk) |
This belated discovery at the
end of my street certainly shows that a little digging can
reveal a whole different story to what was initially assumed.
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